I have been seduced by clay within the last year and I am constantly looking for connections, stuff possibilities, herbal and relationships to textiles and fibre. I have found that there are many connections in processes,materials. Last year I did some research into slip casting and burning out textiles leaving ghost like fabric impressions (left image).
I recently found this small group of artists that form Atelier Murmur. Wang Zhuo, Jiang Xinhe, Sun Jinjin work collectively from Hangzhou, China. Their ceramics are who found a clever way to use fabric dying and combine it with slip casting. Instead of traditional glaze application, they dye textiles with mineral pigments then incorporate them right into the slip casting process. I love the subtle dye-like impressions left from the textiles. The play on soft textile and hard porcelain surfaces is really unique.
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A lot of my inspiration has always come from nature. This past summer working in a greenhouse I had the opportunity not only work with plants but also enjoy the beauty nature truly can offer. I have been playing with photos of geraniums and using them as the subjects for katagami stencils this year.
My understanding of stencil design and proper execution is still in progress. I am hoping that by committing to it for a full year that I can dramatically improve my skills. There are definite challenges that I recently encountered prepping the nori paste for stenciling. Making nori sounds easy, health
but mixing it takes alot of commitment. Just picture mixing the tackiest glue you can think of until you arms are so tired they want to fall off.