New Maps of Paradise, recipe currently on display at the Nickle Arts Museum at the University of Calgary features the work of artists Eric Moschopedis and Mia Rushton. Both artists are Calgary based and the work is focused on community based social projects that the two artists have performed collaboratively since 2007. Moschopedis comes from a theatre background, while Rushton is focused on a craft based practice.
There is a strong presence of textiles present within the show, including the work titled because even under the cover of darkness we are haunted by the past. This work is an ongoing quilting project that began in 2012. The artists conducted ten-question interviews with people they were familiar with. After the interviews, the artists would choose a phrase that they felt represented the interviewee and imagined that phrase in the form of a quilt.
Another textile work in the show is we knew the future/before disappearing all together. This work consists of four quilted banners, spelling out the title of the work on either side of four panels. This piece represents and celebrates youthful hope, demise and the collectivity of the art community. From one side of the gallery you can read the words, we knew the future, while from the other side of the gallery you can read, before disappearing all together.
Diana Sherlock’s curatorial ability to translate this performative work into a museum display was due to her borrowing cultural geography and ethnological display techniques. The work requires the viewer to engage and read the accompanying text. However, the viewer is rewarded with a clear and deep understanding of the meaning of the work upon doing so.
Running until April 2nd, Eric and Mia: New Maps of Paradise is a strong representation of craft, community and the city of Calgary as a whole.
(image courtesy the artists website: http://www.ericandmia.ca/#/because-even-under-the-cover-of-darkness-we-are-haunted-by-the-past/)